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| The Road to Santiago (page 3) | |||||
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We also stopped at every church that was on the path. Many were built for the pilgrims centuries ago. Some were small, dark stone chapels, 800 years old, with simple altars and a few poor pictures or statues. Many had statues of St. James. Like Christine we are not Catholic, but we always paused before St. James to give thanks, to touch his feet or cloak. When there was a mass, we went. When there was a pilgrim blessing, we went. |
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![]() Sant-Iago |
There are rituals around the pilgrim’s arrival in Santiago de Compostela, rituals to remind you of the importance of ritual, of not just arriving and saying, “Well, I made it, here I am.” First you present yourself at the pilgrim office to offer your credenciale in order to obtain the Cathedral’s certificate of pilgrimage, the Compostela. Then you go to the cathedral and place your hand on the Tree of Jesse under the statue of St. James Sant-Iago. Your hand on the cool marble sinks into the imprint of the fingers and palms of the millions of pilgrims before you. Next you bow before the bust of Mateo, the architect of the great cathedral, and place your forehead against his to gain some of his wisdom. Then, you walk behind the 13th century statue of St. James high on the gold encrusted altar to give him the “hug for the apostle.” The pilgrim mass at noon begins with a single woman singing a capella, her lovely voice embracing every stone, window, and chapel of the great cathedral. After the homily the priest announces the pilgrims who have arrived since noon of the previous day. “Two Americans dos Americanos arrived this day from Le Puy,” he says. Christine was there. We hadn’t seen her in two weeks, but she was there in the cathedral with her tall, handsome husband, una pelegrina de Suecia had arrived in Santiago from Le Puy that day. She asked us how the fortieth day was for us, said it was hard for her and explained the many Biblical references to forty as a time of struggle. I was moved by her question, by how we search for some larger reference point for our struggle, for some reason for things to be so hard, for something that gives meaning . . . and we are still searching on the day of arrival. Two days later as we left for Madrid to catch our plane home, we ran into Bartholomew at the train station. We’d dubbed him the great communicator because he talked to us so animatedly and at great length in spite of our obviously limited Spanish. Bartholomew had carried the most elaborately decorated staff of any pilgrim we knew, but he didn’t have it with him that day. “Where is your stick?” “I left it in the cathedral,” he said, touching his heart. “A gift for Santiago. I must leave it here.” Of course. The Buddha said, “You cannot travel the path until you have become the path.” And you leave or give a part of yourself with every step. It’s true of walking the pilgrimage with the cuckoo sounding at the edge of the forest every day, true of mounting the steps to a holy place, and true of walking out the door of your house every day of your life. |
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Kathleen Coskran’s short fiction and articles have appeared in numerous publications and anthologies. Her collection of short stories, The High Price of Everything, won a Minnesota Book Award as did Tanzania on Tuesday: Writing by American Women Abroad which she co-edited. She is the recipient of numerous artists' fellowships and residencies including a National Endowment for the Arts Fellowship, a Bush Artist's Fellowship, and two grants from the Minnesota State Arts Board. She lives in Minneapolis with her husband, Chuck Coskran (Ethiopia 196567, Kenya staff, 196971), and is working on a novel.
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