![]() |
||||||||||||||||||
| Talking with Poets (page 2) | ||||||||||||||||||
| Talking with Poets page 1, page 2, page 3, page 4, page 5 |
||||||||||||||||||
| Do you have a line or two (or three) that expresses the experience for you from one of your poems? | ||||||||||||||||||
| Brazaitis:
She wants to know my name, These lines are from On the Roof of the Hotel Pasaje. For me, they capture the experience of being in a foreign country how people were curious about me and how I, in turn, was curious about them. From such curiosity (and such questions) grew many friendships. Conlon: I was a PCV in Botswana but lived only a few miles from the South African border. As a result I spent a good deal of time in South Africa with friends from all racial groups, and I found myself in Cape Town on the very first day after the beaches had been desegregated. Heres a three-line poem about it: Beaches Open To All Races Today Two little girls, shadow-colored and shining, Szumowski: I had a hard time choosing, but this is from Ngorogoro: In hot dust the markets wait. Flies crowd the bloody meat, the black fish. Neelon: Out of her good heart, my neighbor These are the opening lines of Chicken Tied Up in a Red Handkerchief,: a sestina I wrote using the endwords neighbor, chicken, stranger, knife, heart and yard. Rich: By evening when she tastes or And I searched to forego belonging hung inside a desert tree if the branches are bare when she returns, Meek: I was given a sliver of river, a bed of mud, near clarity |
||||||||||||||||||
| |
||||||||||||||||||
|
||||||||||||||||||